I grew up in Oregon. I think we all know at this point. Oregon is rainy. Check. This brings out slugs and worms. Gotcha. This, however, does not bring out waterbugs. Strange, I know. I did not encounter a waterbug (what I thought of as a giant mutant cockroach until someone was kind enough to explain the subtleties) until moving to New York. I wouldn't say that I have a fear of them, or a hatred even. It is more that when I look at one I am morbidly fascinated by my own capacity for gut-wrenching disgust. I physically start to seize up like I am going to vomit, and yet I continue to gaze upon the little prehistoric critters. I have a similar reaction to the thought of chewing on a popsicle stick or a bit of an aluminum foil gum wrapper.
This is all just a precursor to the fact that above the urinal in my place of employ, there has been a dead waterbug for at least a year. The little mother walked in the cracks between the ceiling tiles and hit a dead end..... literally. My guess is that it just swung its mad little legs until it died from overexertion. I think a lot about this waterbug, which I have named Wanda. I don't know why, it just seemed right. I have to look at Wanda everytime I use the urinal, not because of any kind of intellectual curiosity or to overcome my disgust, but because I am convinced that one day, as the decomposition process proceeds, Wanda will fall on the head of some poor office sucker and that person will wet themselves. Well, that sucker is NOT going to be me. I drink a lot of water at work, so I see Wanda about 5 times a day and have started identifying with her a little. I mean, sometimes you're just going along all fine in one direction and everything is peaches and ice cream cones and The Carpenters on the radio and POW, dead end. I mean, if you're lucky, you can back up, or turnaround, but what happens when you get in that metaphysical ceiling tile joint? Absolutely scares the bejeezus out of me.
Recently, upon returning to work from tour, I noticed that there is now a second waterbug nestled up snug behind Wanda, also dead. I have named him Bill. I am now thinking a lot about Bill and how he didn't learn from the example immediately set out before him. This is a new level of anxiety for me. Good times. Wow. I have a lot of time on my hands at work.
Three gigs coming up with a load of musicians known for their inability to be pigeonholed and actively avoiding dead ends.
Sunday, Sunday, Sunday
(if you try and imagine that in the voice of Al Roker, it is mildly funny, but only mildly.....do it, don't do it, I don't care, it really depends on how bored you are)
Magical Listening Hour
Downtown Music Gallery
13 Monroe Street
We're doing an early show at DMG, who are now fully underway with the Sunday shows again! Come in, buy a million records, maybe pick up a copy of Crackleknob!!!
then, I will take a train, plane, car, rickshaw, tricycle and megalodon with a saddle to quickly quickly quickly get to:
CRACKLEKNOB CD RELEASE PARTY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Issue Project Room
232 3rd Street
This is one of my favorite groups and two of my favorite people who happen to be amazing musicians in the world. Crackleknob was released on HatHut Records and is being favorably reviewed by the media machine, so come see us play, give us hugs and let's drink! The next day is a holiday!
please note that both of these gigs are on Sunday. If you come to both, I will give you a handshake, manhug and say something really positive to you (you gotta love that deal)
Take a day off, you deserve it.
Nate Wooley Quintet Premiere
2nd Street and Avenue C
This is a new group that I'm trying out. Wrote some new music. Will try playing something different on the trumpet. Let's see how it goes!
Here's hoping that we all scurry on the floor in the sun this summer and don't find ourselves in a ceiling joint with no escape in sight!
Friday, May 1, 2009
soccer Committee & machinefabriek remixed and covered
Well, the subtitle says it all.
80 minutes of music, and one hell of a trip.
The cd is housed in a stylish grey tone carton sleeve, and it's mastered by Giuseppe Ielasi.
Andrea Belfi High Jacked Drone 1
Holden Goldmund Di-o-day
Taylor Deupree For I Am Distant
Mark Templeton Landslide
The Puddle parade Magpie
Nate Wooley Mees
Tori, Reiko & Namio Kudo Thole
Francisco López Untitled 221
Németh Very Well Drawn, re-edited
The north Sea Di-o-day
Squares on Both Sides Very Well Drawn
Gary Smith Klauwier Materials, solo guitar into a duo
Lawrence English A Reversion to Thole
Kenneth Kirschner Di-o-day
Annelies Monseré For I Have None
The Fun Years The Fun Years Scribble with Crayons
Stefano Pilia Mees
Peter Broderick Christopher (for Suzanne)
Xela Low Drone 2
15 euro including worldwide shipping. firstname.lastname@example.org
Machinefabriek is one of my recent favorites, especially his solo album "Dauw", so I was honored to be asked to tear apart one of the pieces he worked on with visionary trumpet player Franz Hautzinger, lots and lots of slow tape and maybe a little more nightmarish than the original. I'm really looking forward to everyone else's contributions!
and.......along the lines of a Crackleknob like patience!
"Quadrologues is the second Clean Feed release by the New York based quartet Transit. This collection of pieces integrates the tradition of jazz and the never obvious approaches to music. Each piece reveals an intelligent design with a clarity of purpose. Static and the hyper activity of free-jazz are equal partners in Transit's compositions. Falling in and out of tradition - Transit has created it's own "thumbprint" that reveals an individual sensitivity within a group consciousness. Jeff Arnal (percussion), Seth Misterka (alto saxophone), Reuben Radding (double bass) and Nate Wooley (trumpet) contribute choices in the moment - Impulse - Silence – Response - from a rich palette of individual style within a non linear structure. Each moment is unique and unpredictable. Quadrologues can count itself as apart of a new emerging music - unknown sounds of the 21st century. This collective is informed by decades of experimentation in the trenches of the Avant Garde. Full of risk but quick to reveal the importance of cooperation and the synergy of true dialogue. In conclusion: this music creates an innovative landscape that mirrors the complexities of the environment from which it emerged."
This is a great band that doesn't get to play often enough, but always seems to make some magic when it does. I'm really excited for this one. If you have the first eponymous release, get this and be a completist!!!